50 HOUR FILM COMPETITION
The BEST DIY Indie Filmmaking Competition in the world.
BIG PRIZES • GREAT ODDS • YOUR FILM ON THE BIG SCREEN

NEXT COMPETITION


OUR NEXT COMPETITION IN 2018:
** TO BE DETERMINED **

SUMMER 2018:
AUG 10-12 and AUG 17-19 (SOLD OUT)
(Surprise Genre/Theme)

Compete from anywhere in the world!

HOW CAN YOU JOIN THE COMPETITION?
Email us your full name and city then we'll notify you of all future events!
50hourfilm@gmail.com

SUMMER 2018 EVENT Registration is now SOLD OUT.

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OUR 2017 COMPETITIONS WERE:

SUMMER 2017 (SOLD OUT):
"Bad Cop, Worse Cop"
(You Choose The Genre)


FALL 2017 (SOLD OUT):
"Buckets of Bloodtober"
(Horror Genre)


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SUBSCRIBE on YouTube http://tinyurl.com/50hourfilms
to see the films.

FOLLOW US on Twitter @50HourFilm
to get all the updates first.

About 50 Hour Film


The 50 HOUR FILM Competition is a sleep deprived DIY filmmaking marathon hosted by indie film festivals, where YOU create a short film in 50 Hours for BIG Prizes!

To date, we've already awarded over $85,000 in sponsor donated movie gear, hardware, software, and cash to filmmakers of ALL skill levels around the globe.

Previous Winners


Since the beginning of the 50 HOUR FILM Competition, we've given away more than $85,000 in hardware, software, rentals, grants & cash to filmmakers of all skill levels around the world.

In 2015 alone, we awarded OVER $40,000 in sponsor donated prizes and cash.



50 HOUR FILM Competition
Fall 2017 WINNERS ...

Watch the films on our
YouTube and Subscribe!



BEST FILM … “WHY ALICE?” by Pale Rebel Prod.
BEST FILM RUNNER-UP … “BREAKFAST WITH DAD” by Zest Prod.
AUDIENCE VOTE BEST FILM … Shudder Stalkers
BEST ACTING … John Tench of Zest Prod.
BEST WRITING … Zest Prod.
BEST FX … Byerfilms
BEST SOUND … Chuverdragon
MOST BLOOD … Chuverdragon
BEST KILL … So. Much. Blood (Dick Death)
BEST DIRECTING … Pale Rebel Prod.
BEST LIGHTING … Pale Rebel Prod.
BEST GAGS/LINES … True Philosopher Films
BEST CINEMATOGRAPHY … Pale Rebel Prod.
BEST EDITING … Chuverdragon
BEST USE OF REQUIRED LINE … Gilgamesh
BEST CHARACTER … Byerfilms (“Boogeyman”)
BEST SHOT … The Reelists (Dog Zoom/Throat Slit)

Honourable Mentions: Gilgamesh (Acting/Atmosphere), VideoMonkey (Practical Gore), The Droids You Are Looking For (Concept), Tiamats Dragon (Lighting), Shudder Stalkers (SPFX/Acting), BrassEngine (Credits), Skymagic Filmworks (Ghost of a Ghost Gag), Noah’s Canoe (Most Ominous), 2H2B (Most Surreal).



50 HOUR FILM Competition
Summer 2017 WINNERS ...

Watch the films on our
YouTube and Subscribe!



BEST FILM … "Property Pals" by Trophy Husbands
BEST FILM RUNNER-UP … Between The Shrugs
AUDIENCE VOTE BEST FILM … Shudder Stalkers
ONLINE VOTE … "Police Carnality" by We'll Do It In 40
BEST ACTING … Between The Shrugs
BEST WRITING … Between The Shrugs
BEST PRACTICAL FX … Chuverdragon
BEST SOUND FOLEY … Chuverdragon
BEST DIRECTING … District 12
BEST ACTOR RUNNER-UP … Mouthy Kid
BEST CHILD ACTOR … Mouthy Kid
BEST LIGHTING … Reelists
BEST LOCATION … Shudder Stalkers
BEST WARDROBE … Shudder Stalkers
BEST GAGS … Skymagic Filmworks
BEST SCENE … They Came From the Blob Under the Stairs
BEST CINEMATOGRAPHY … Trophy Husbands
BEST EDITING … Trophy Husbands
BEST USE OF MUSIC … Trophy Husbands
BEST USE OF LINE … True Philosopher Films
BEST USE OF PROP … True Philosopher Films
BEST USE OF CHARACTER … True Philosopher Films
BEST DIGITAL FX … VideoMonkey
BEST CONCEPT … We’ll Do It In 40

Honourable Mentions:The Reelists (Music), They Came From The Blob Under The Stairs (Editing), VideoMonkey (Most Blood), True Philosopher Films (Best Character Name, Most 'Realistic' Beard, Most Boxes), Trophy Husbands (Best Kill), Team Mouthy Kid (Best Shirt), District 12 (Color Grade, Best Chemistry), Sonar Squirrel (Cinematography), Chuverdragon (Original Song), We'll Do It In 40 (Lighting, Least Accurate Team Name)



50 HOUR FILM Competition
Fall 2016 WINNERS ...

Watch the films on our
YouTube and Subscribe!



BEST FILM: “The Good, The Bad, & The Deadly” by Byerfilms,
BEST FILM RUNNER-UP: “The First Times Always The Bloodiest” by DreamIndigo,
LOCAL AUDIENCE CHOICE: “Mourning Kiss” by Divine Paradox Films,
ONLINE AUDIENCE CHOICE: "Ketchup" by Brass Engine,
BEST EDITING/MOST SURREAL: “Dis/Connect” by The Burdy Boys,
BEST WRITING/BEST KILL: “No Solicitors” by Shudder Stalkers,
BEST CINEMATOGRAPHY: “The Good, The Bad, & The Deadly” by Byerfilms,
BEST ACTOR: DreamIndigo (Timothy Paul McCarthy),
BEST FX: “Mourning Kiss” by Divine Paradox Films,
MOST BLOOD: "Body Bullet" by VideoMonkey,
BEST GAG/CHARACTER: “Death Disgruntled” by Chuverdragon,
BEST SOUND/CONCEPT: “Dinner Date” by Mad Moose Media,
BEST LIGHTING/SET DESIGN: “Inseparable” by Team Sweet,
BEST USE OF PROP: “Drag Me To Heinz” by True Philosopher Films

Honourable Mentions: Runner-Up Best Kill by Last Resort Productions (Death by Oven), Runner-Up Best Concept & Scariest Film by Babbal, Best Meta Breakdown by Studio165, Runner-Up Best Gag by Brass Engine (Clown Trunk), Best Actor Ensemble/Chemistry by Sons Of Illyria, Runner-Up Best FX by Blood Streamers (Poltergeist)



50 HOUR FILM Competition
Spring 2015 WINNERS ...


BEST FILM:
Trophy Husbands - “Cool Aliens”
THIS TEAM WON: $9,040




AUDIENCE CHOICE BEST FILM
& BEST FILM RUNNER-UP:

The Beings from Dimension 923 - “Back Chew the Future”
THIS TEAM WON: $4,835

50 HOUR FILM
TOP 50 All Time Scores
50hourfilm.com/highscores

Best Film or Audience Choice +1000pts, Runner-Up Film +500pts, Other Awards +100pts, Honors +25pts, Events +5pts


TOP SCORE: 5,205 SHUDDER STALKERS
Rank Team Best
Film
Aud.
Choice
Rnr
Up
Other
Award
Honor Event Score Region
Shudder Stalkers 11 3 6 5,205 CAN
Fun Uncle/Trophy Husbands 13 2 5 4,875 CAN
Team Mouthy Kid 6 1 4 2,775 CAN
Beings From
Dimension 923
7 1 3 2,740 CAN
Byerfilms 1 2 2,320 USA
Squidling Productions 4 1 1 1,405 CAN
Horror Buffs 3 3 1,315 CAN
Les Contes du Corbeau 3 1 1,305 CAN
Pale Rebel Productions 3 1 1,305 IRL
NYC Ani Jam 2 1 1 1,130 USA
Divine Paradox Films 1 3 1,115 CAN
Chuverdragon 10 2 6 1,080 USA
True Philosopher Films 9 4 6 1,030 CAN
The Reelists 4 1 1 835 CAN
Dream Indigo 2 1 3 740 CAN
Between The Shrugs 2 1 705 USA
Zest Productions 2 1 705 CAN
88mph 5 2 510 CAN
VideoMonkey 4 4 7 535 CAN
RoRiRo 4 2 410 CAN
We'll Do It In 40 2 2 1 255 USA
They Came From The
Blob Under The Stairs
2 1 1 235 CAN
#Squad Productions 2 2 210 CAN
Le Bibliotheque
du Fromage
2 2 210 FRA
Burdy Boys 2 1 205 CAN
Mad Moose Media 2 1 205 CAN
Team Sweet 2 1 205 CAN
Victorious Secret 2 1 205 USA
Threat-Level Midnight 2 1 205 CAN
Brass Engine 1 2 2 160 USA
District 12 1 2 1 155 USA
Skymagic Filmworks 1 1 2 135 USA
Gilgamesh 1 1 1 130 CAN
Labyrinth 1 1 105 CAN
The 6th Sense 1 1 105 USA
Team Bradley 1 1 105 CAN
The Escapists 1 1 105 CAN
Hurricane Gold 1 1 105 CAN
Weird Gear 1 1 105 USA
Riffle Bros 1 1 105 USA
DinoRaptor Films 1 1 105 CAN
Foibles Productions 1 1 105 CAN
Legacy Studios 1 1 105 CAN
Vengeance Cinema 1 1 105 CAN
Three Amigos Studios 1 1 105 USA
So. Much. Blood. 1 1 105 USA
Muscle Wizards 1 1 105 CAN
Babbal 2 1 55 IND
Aevus Media 1 2 35 USA
Last Resort Productions 1 1 30 USA
Rank Team Best
Film
Aud.
Choice
Runner
Up
Other
Award
Honor Event Score Region



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FAQ - Tips & Tricks


50 HOUR FILM COMPETITION - FAQ
The Lost Episode Festival Toronto (LEFT) is once again hosting the 50 Hour Film Competition - a sleep deprived filmmaking marathon weekend in which you and your team have an unforgettable time writing, directing, shooting, and editing a complete short film in just 50 hours.

Events always begin on a Friday at 7pm (YOUR local time), every registered team is emailed a line of dialogue, and a prop, that MUST be included in their film. This NEXT EVENT the genre will be [A SUPRISE]. Then teams have only 50 hours (or less) to complete and submit their film, online or in person.

ALL films, even the late ones, can be shown on the big screen at our (fully licensed) venue of choice. The films that were on time however will be graded by our panel of judges and the winners will receive CASH, PRIZES, and of course FAME! Even if our judges don't select your film, you still have one last chance to win the AUDIENCE CHOICE AWARD (including $250 in CASH!), even if it means inviting everyone you know to the screening and bribing them to vote for you.


WHAT MAKES THIS FILM CHALLENGE DIFFERENT FROM THE REST?
Aside from our rules, this challenge is hosted by a real film festival, and select films get amazing film festival exposure beyond a single screening. Our venue of choice is also licensed, so you can have a beer with your friends and family and really enjoy everyone's work. Best of all, the entry fee for the competition is less than half of what you normally pay to participate in a film competition. Our competition starts at the super cheap entry fee, the price goes up close to the event date - so register now! Please note there are a very limited number of teams in the competition, signup is on a first come first serve basis.

- CHEAP: Our team fee is LESS THAN HALF what other competitions charge
- FAIR: We limit the number of team to keeps the odds of winning fair
- CONVENIENT: You are emailed the requirements so no need to waste time at a meetup
- EASY: You can upload your finished film, which means anyone anywhere can join


WHAT DO I NEED TO COMPETE?
All you need is a camera (or a smartphone with a camera) and a few friends (your team) willing to spend an insanely great weekend with you making a film.


HOW LONG DOES THE FILM HAVE TO BE?
No minimum length, with a SUGGESTED LENGTH OF 5-7 MINUTES not including credits (3-5 minutes is the most popular length and tends to score the highest, short is what we recommend). Will I be disqualified if I go over? No. You will be docked points for every 30 seconds over, and your film may be truncated or left out of the live screening if time does not permit its length. Save your longer edit for a directors cut!


DO I NEED TO BE A U.S. OR CANADIAN RESIDENT?
No. ALL COUNTRIES ARE ELIGIBLE unless your local laws indicate otherwise. You do not have to be a Canadian resident, and you don't have to be here in Toronto (though we'd love it if you were), you can submit your film online instead of in person. Our competition is open to the entire planet (we're also open to any space aliens who can get here). Some restrictions apply, see rules.


DO I NEED TO HAVE FILMMAKING EXPERIENCE?
Heck no! Anyone can make a film. ALL skill levels are welcome. Be sure to check out our TIPS & TRICKS! Filmmaking competitions don't have to be about making a hollywood blockbuster or a grande piece of art, they are about learning to make films and having a good time. Make something that YOU like, and in all likelihood someone else will enjoy it on some level as well.


HOW DO I PUT TOGETHER A TEAM? OR JOIN A TEAM?
That's easy! Join the 50 HOUR FILM Facebook group, and post what kind of help you need or can offer. Also, ask your friends and family. Post on your Facebook or Twitter that you are looking for friends to compete with, or let everyone know you have a position available on your team or that you are looking to join a team (be sure to mention anything you're good at).


WHAT IF I SIGN UP AND CAN'T COMPETE?
Due to the fact that we limit the number of competing teams, and because you are taking a team spot by registering, we cannot refund your team fee if you decide to drop out under any condition. It is not fair to us to try and find a replacement at the last minute, or to the teams who are denied a sign-up because the competition is full. Please read the rules before applying and email us if you have any questions.


WHEN DO I GET THE REQUIREMENTS TO START?
After you're successfully registered, on the date the competition starts you'll receive an email at 7PM (your local time) with a link to a form which will provide ALL the required elements. Then you'll have 50 hours to complete your film. If you don't see your start email, check the junk folder on both of the email addresses you registered with us. It is your responsibility to add 50hourfilm@gmail.com to your contacts (or safe senders list) so you don't miss our emails, and contact us promptly at 7:05PM if you STILL haven't received start instructions.


ARE THERE SLATES OR TITLE CARDS I HAVE TO USE?
Yes. Your film must begin (first frames) and end (last frames) with slates (2 seconds is the preferred length). The MADE FOR THE 50 HOUR FILM Competition slate (found here: https://drive.google.com/open?id=0B9n86PRGFG3deUdMM3pIUUVZU2M) and you can make your own TITLE SLATE (example here: https://drive.google.com/open?id=0B9n86PRGFG3dNEpXWHJubzJMMUU) and put it at the beginning after the MADE FOR slate; just before your film begins (do not repeat the TITLE slate at the end of your film, only the MADE FOR slate).


WHAT DO I DO WHEN MY FILM IS DONE?
When you finish, export your film in 1080 as an MPG, MP4, MOV, or M4V (if possible) and keep the file under 2GB. Taking TOO long? Try a smaller resolution. Name the file using teamname-filmname.mov (for example). Then upload the film using http://free.mailbigfile.com to our email address 50hourfilm@gmail.com. You'll also be emailed a wrap-up form to complete as well, or click this link: https://goo.gl/forms/0Mlz12iFJJcN2ejP2. That's it!


WHAT CAN I WIN?
We aim for at least $10,000 worth of Cash & Prizes at every event. To date we've awarded over $85,000 worth!




50 HOUR FILM COMPETITION TIPS & TRICKS

Here at the Lost Episode Festival Toronto, we don’t just host the annual 50 HOUR FILM Competition, our crew also participate in film challenges all over the world. Even if you’ve never tried a time based filmmaking challenge, or even if you’ve never made a short film before, this guide will give you the tips you need to do your best work.


TIP 01 ... The MORE people, the BETTER!
Being short handed can really eat up time. Assemble as many people as you can manage to help out, even if they don’t have any film skills. Aside from the usual suspects (Editor, Director, Writer(s), Cinematographer, LOTS of Actors to choose from) you’ll also NEED someone to handle sound (and maybe a boom pole), and someone for lights. We also recommend a continuity person (to watch for errors), a driver (to fetch stuff), a caterer (ask mom to make sandwiches), and an assistant (to take notes). Some people can do double duty, but it’s handy to have too many people, rather than not enough.


TIP 02 ... Test ALL of the equipment beforehand!
Testing and fixing equipment on the day of the competition can cripple a team.
  • Know what camera and what lenses you are going to use and make sure your cinematographer is familiar with all of their functions.
  • Do you have extra batteries? Make sure they are charged.
  • Do you have an extra camera card? Format them, and make sure they work.
  • Do you have a USB key to save your film? Format it and make sure it works.
  • Test your editing setup! Is it up to date? Can you export ok?
  • Have extension cords, extra bulbs, a boom pole (or a broom handle) ready.
  • Test your mic!
  • Test your lights!

TIP 03 ... Actors (you can use BOTH non-union & ACTRA)
Since you don’t know what your writer(s) will come up with before the competition actually starts, it’s helpful to have access to LOTS of actors so any role imagined can be filled. Try to find people of different height, race, sex, and age, some with facial hair some without (clean shaven and bald is great for makeup fx and wigs!). Post on Mandy.com, Facebook, Craigslist, and Kijiji, and you’re sure to get lots of inquiries. Remember you can use regular people, and professional actors (ACTRA) thanks to the agreement we have with ACTRA Toronto.


TIP 04 ... Required Elements & Playing Fair
Remember that EVERY film MUST be in the genre specified but you can genre mash (horror-comedy, scifi-romance, action-drama as long as the provided genre/theme is incorporated), and MUST feature ALL of the required elements that we will be providing you (prop, line of dialogue). If your missing even one, you will not be eligible for prizes.

If it seems like you CHEATED and made ANY part of your film before the start of the competition (including writing ANYTHING like scenes, ideas, characters, etc.) you will be disqualified and you will not be eligible for prizes or a refund.
  • DON’T brainstorm your film ahead of time, or write anything.
  • DON’T make costumes or props ahead of time.
  • DON’T shoot anything you plan to use.
  • DO PLAY FAIR! It’s more fun for everyone.

TIP 05 ... Sound can make or break a film
A LOT of 50 hours films can be completely ruined by bad sound. It is CRITICAL to test the sound in every location to make sure there is NOT unusable background noise like the hum of a refrigerator, air conditioner, or highway.
  • Try to prevent background noise by unplugging things and checking each location by shooting 30 secs of video and listening with headphones.
  • If you can’t get rid of noise, try noise reduction in your editing software
  • Make sure people aren’t talking on set, and phones are off. Move people to another area away from the shot if you aren’t using them. Same for pets.
  • Buy or borrow the BEST microphone you can, and get it as CLOSE to the subject as possible (this is where a boom pole comes in handy), or hide it close to the actors.
  • Shooting outside when it’s windy can produce a lot of noise. Try this out before hand and make sure you’re prepared for these conditions.
  • Don’t forget to add foley to you film, a good door creak can really sell a scene.
  • Use music appropriately! The right music sets the tone for the film. It tells the viewer when they should be scared. Do NOT use copyright music, find royalty free tunes, like classical music, unsigned artists, and your friends bands instead.

TIP 06 ... Storyboarding, Scheduling & Notes
The best way to make a film is to plan as much as you can! We use Shot Lister Pro to storyboard and make schedules. Alternatively, draw your storyboards (even as stick figures if you can’t draw) on colored index cards (from the Dollar store) and plan each shot. Then you can re-order the cards how you want to tell the story, and check each one off as you’ve completed that shot. Make a schedule that divides up the 50 hours the way you think it should be spent, that way you know when one task is taking too long. I put my phone on vibrate and set reminders for each critical task. REMEMBER: Your film is due Sunday, Novermber 8th, before 9pm sharp. You MUST have started the upload, or handed it to a staff member by then.

Here is a simple example schedule for the 50 hours:
  • Fri, 7pm - Start Writing
  • Sat, 7am - Assemble Shoot Crew, discuss project
  • Sat, 8am - Block scene and rehearse
  • Sat, 9am - Start Shooting
  • Sat, 11:59pm - Wrap Shooting
  • Sun, 12:01am - Start Editing
  • Sun, 6pm - Test export film
  • Sun, 7pm - Be ready to upload or deliver film

TIP 07 ... Green Screen (Chromakey Effects)
If you plan on using green screen for effects, try it out beforehand. Green screen (or blue) requires very uniform lighting to really pull off well. There is a great tutorial at FilmRiot at 00:31 here: http://revision3.com/filmriot/greenscreentips


TIP 08 ... Find Locations
It’s okay (and highly recommended) that you find locations you can shoot at (like a park, business, home) and figure out the logistics of shooting there before the competition. Such as:
  • How are you going to get everyone to the location(s)?
  • Is there power at the location that you can access?
  • Check noise levels. Is there something nearby that makes a lot of noise that you won’t be able to do anything about? (highway, air conditioner, etc.)

TIP 09 ... Costumes, Wardrobe & Props
It’s really handy to have someone on your team that can sew, craft, or otherwise build props and costumes. Failing that, a good source for these things in Toronto is: It’s My Party (423 Danforth Avenue), Malabar (14 McCaul Street), Goodwill, & Value Village. This is where a driver is handy!


TIP 10 ... Food & Drinks
Almost every set I’ve been on had a craft table. This is an area where everyone can grab food and drinks to keep their energy up. A hungry person is not a helpful person. Common items you should have are:
  • Peanut Butter, Jam, & Bread
  • Apples, Oranges, Bananas
  • Cookies, Chips, Candies
  • WATER! Juice, Pop, Energy Drinks, Tea, Coffee
  • Mill St Beer ... but save it until you’ve wrapped!

TIP 11 ... Learn How to Delegate!
So you’re the team leader/producer/director, and that means you’re in charge and you should oversee everything, right? WRONG! A good leader will choose people to organise tasks and let them do it. For example, you can rehearse a scene elsewhere while your set is being build/dressed/lit. That will keep the actors energy up and give you better performances that require less input. Get as many people doing something for the film at the same time, to maximize the little time you have.


TIP 12 ... Improv & Camera Angles
Improv is great on set. It lets actors do what they do best, play, and can often get you better and/or more natural dialogue. Please remember however, it is harder to cut together in editing if every take you have is wildly different, especially if there are multiple angles. This can be partially solved with a two camera setup, which catches both sides of a two person conversation when improvising.


TIP 13 ... Get Rest & Know When to Take a Break
Be well rested before the competition. Don’t push yourself or your team too hard during the 50 hours. If anyone (including you) starts to get frustrated, take a 15 minute break, go outside, breathe deeply, relax somewhere, have a KitKat, and/or shut your eyes for a bit. When you come back you’ll be a lot more productive and less likely to make mistakes.


Good Luck!